How peace has been made and maintained, experienced and imagined is not only a matter of historical interest, but also of pressing concern. Peace: A World History is the first study to explore the full spectrum of peace and peacemaking from prehistoric to contemporary times in a single volume aimed at improving their prospects. By focusing on key periods, events, people, ideas and texts, Antony Adolf shows how the inspiring possibilities and pragmatic limits of peace and peacemaking were shaped by their cultural contexts and, in turn, shaped local and global histories. Diplomatic, pacifist, legal, transformative non-violent and anti-war movements are just a few prominent examples. Proposed and performed in socio-economic, political, religious, philosophical and other ways, Adolf's presentation of the diversity of peace and peacemaking challenges the notions that peace is solely the absence of war, that this negation is the only task of peacemakers, and that history is exclusively written by military victors. “Without the victories of peacemakers and the resourcefulness of the peaceful,” he contends, “there would be no history to write.” This book is essential reading for students, scholars, policy-shapers, activists and general readers involved with how present forms of peace and peacemaking have been influenced by those of the past, and how future forms can benefit by taking these into account.

This unique collection presents texts in international relations from Ancient Greece to the First World War. Major writers such as Thucydides, Augustine, Aquinas, Machiavelli, Grotius, Kant and John Stuart Mill are represented by extracts of their key works; less well-known international theorists including John of Paris, Cornelius van Bynkershoek and Friedrich List are also included. Fifty writers are anthologised in what is the largest such collection currently available. The texts, most of which are substantial extracts, are organised into broadly chronological sections, each of which is headed by an introduction that places the work in its historical and philosophical context. Ideal for both students and scholars, the volume also includes biographies and guides to further reading.

This updated and revised second edition examines the conceptualisation and evolution of peace in International Relations (IR) theory. The book examines the concept of peace and its usage in the main theoretical debates in IR, including realism, liberalism, constructivism, critical theory, and post-structuralism, as well as in the more direct debates on peace and conflict studies. It explores themes relating to culture, development, agency, and structure, not just in terms of representations of IR, and of peace, but in terms of the discipline of IR itself. The work also specifically explores the recent mantras associated with liberal and neoliberal versions of peace, which appear to have become foundational for much of the mainstream literature and for doctrines for peace and development in the policy world. Analysing war has often led to the dominance – and mitigation – of violence as a basic assumption in, and response to, the problems of IR. This study aims to redress this negative balance by arguing that the discipline offers a rich basis for the study of peace, which has advanced significantly over the last century or so. It also proposes innovative theoretical dimensions of the study of peace, with new chapters discussing post-colonial and digital developments. This book will be of great interest to students of peace and conflict studies, politics, and IR.

The guiding principle of peacemaking and peacebuilding over the past quarter century has been "liberal peace": the promotion of democracy, capitalism, law, and respect for human rights. These components represent a historic effort to prevent a reoccurrence of the nationalism, fascism, and economic collapse that led to the World Wars as well as many later conflicts. Ultimately, this strategy has been somewhat successful in reducing war between countries, but it has failed to produce legitimate and sustainable forms of peace at the domestic level. The goals of peacebuilding have changed over time and place, but they have always been built around compromise via processes of intervention aimed at supporting "progress" in conflict-affected countries. They have simultaneously promoted changes in the regional and global order. As Oliver P. Richmond argues in this book, the concept of peace has evolved continuously through several eras: from the imperial era, through the states-system, liberal, and current neoliberal eras of states and markets. It holds the prospect of developing further through the emerging "digital" era of transnational networks, new technologies, and heightened mobility. Yet, as recent studies have shown, only a minority of modern peace agreements survive for more than a few years and many peace agreements and peacebuilding missions have become intractable, blocked, or frozen. This casts a shadow on the legitimacy, stability, and effectiveness of the overall international peace architecture, reflecting significant problems in the evolution of an often violently contested international and domestic order. This book examines the development of the international peace architecture, a "grand design" comprising various subsequent attempts to develop a peaceful international order. Richmond examines six main theoretical-historical stages in this process often addressed through peacekeeping and international mediation, including the balance of power mechanism of the 19th Century, liberal internationalism after World War I, and the expansion of rights and decolonization after World War II. It also includes liberal peacebuilding after the end of the Cold War, neoliberal statebuilding during the 2000s, and an as yet unresolved current "digital" stage. They have produced a substantial, though fragile, international peace architecture. However, it is always entangled with, and hindered by, blockages and a more substantial counter-peace framework. The Grand Design provides a sweeping look at the troubled history of peace processes, peacemaking, peacekeeping, and peacebuilding, and their effects on the evolution of international order. It also considers what the next stage may bring.

This book is the first to offer a justice-focused cognitive reading of modern YA speculative fiction in its narrative and filmic forms. It links the expansion of YA speculative fiction in the 20th century with the emergence of human and civil rights movements, with the communitarian revolution in conceptualizations of justice, and with spectacular advances in cognitive sciences as applied to the examination of narrative fiction. Oziewicz argues that complex ideas such as justice are processed by the human mind as cognitive scripts; that scripts, when narrated, take the form of multiply indexable stories; and that YA speculative fiction is currently the largest conceptual testing ground in the forging of justice consciousness for the 21st century world. Drawing on recent research in the cognitive and evolutionary sciences, Oziewicz explains how poetic, retributive, restorative, environmental, social, and global types of justice have been represented in narrative fiction, from 19th century folk and fairy tales through 21st century fantasy, dystopia, and science fiction. Suggesting that the appeal of these and other nonmimetic genres is largely predicated on the dream of justice, Oziewicz theorizes new justice scripts as conceptual tools essential to help humanity survive the qualitative leap toward an environmentally conscious, culturally diversified global world. This book is an important contribution to studies of children’s and YA speculative fiction, adding a new perspective to discussions about the educational as well as social potential of nonmimetic genres. It demonstrates that the justice imperative is very much alive in YA speculative fiction, creating new visions of justice relevant to contemporary challenges.