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Imperial Germany's governing elite frequently sought to censor literature that threatened established political, social, religious, and moral norms in the name of public peace, order, and security. It claimed and exercised a prerogative to intervene in literary life that was broader than that of its Western neighbors, but still not broad enough to prevent the literary community from challenging and subverting many of the social norms the state was most determined to defend. This study is the first systematic analysis in any language of state censorship of literature and theater in imperial Germany (1871-1918). To assess the role that formal state controls played in German literary and political life during this period, it examines the intent, function, contested legal basis, institutions, and everyday operations of literary censorship as well as its effectiveness and its impact on authors, publishers, and theater directors.

A translation into English of the work of late German Enlightenment thinker Karl Leonhard Reinhold (1757-1823), best known for his interpretations of Kant and whose writings on theoretical philosophy were significant for the development of philosophy after Kant. Roehr prefaces the translation with an approximately 150-page analysis of the relevant moral, religious, political, and philosophical thought of the German Enlightenment. Annotation copyright by Book News, Inc., Portland, OR

Greg Noonan’s classic treatise on brewing lagers, New Brewing Lager Beer, offers a thorough yet practical education on the theory and techniques required to produce high-quality beers using all-grain methods either at home or in a small commercial brewery. This advanced all-grain reference book is recommended for intermediate, advanced and professional small-scale brewers. New Brewing Lager Beers hould be part of every serious brewer’s library.

8.2.1. Consonants

A terrifying series of short poems by one of the world’s leading playwrights, set to images of World War II In this singular book written during World War Two, Bertolt Brecht presents a devastating visual and lyrical attack on war under modern capitalism. He takes photographs from newspapers and popular magazines, and adds short lapidary verses to each in a unique attempt to understand the truth of war using mass media. Pictures of catastrophic bombings, propaganda portraits of leading Nazis, scenes of unbearable tragedy on the battlefield — all these images contribute to an anthology of horror, from which Brecht’s perceptions are distilled in poems that are razor-sharp, angry and direct. The result is an outstanding literary memorial to World War Two and one of the most spontaneous, revealing and moving of Brecht’s works.

Examining the ways in which politics and ideology stimulate and shape changes in human science, this book focuses on the cultural sciences in nineteenth and early twentieth-century Germany. The book argues that many of the most important theoretical directions in German cultural science had their origins in a process by which a general pattern of social scientific thinking, one that was closely connected to political liberalism and dominant in Germany (and elsewhere) before the mid-nineteenth century, fragmented in the face of the political troubles of German liberalism after that time. Some liberal social scientists who wanted to repair both liberalism and the liberal theoretical pattern, and others who wanted to replace them with something more conservative, turned to the concept of culture as the focus of their intellectual endeavors. Later generations of intellectuals repeated the process, motivated in large part by the experiences of liberalism as a political movement in the German Empire. Within this framework, the book discusses the formation of diffusionism in German anthropology, Friedrich Ratzel's theory of Lebensraum, folk psychology, historical economics, and cultural history. It also relates these developments to German imperialism, the rise of radical nationalism, and the upheaval in German social science at the turn of the century.

The word "German" was being used by the Romans as early as the mid–first century B.C. to describe tribes in the eastern Rhine valley. Nearly two thousand years later, the richness and complexity of German history have faded beneath the long shadow of the country's darkest hour in World War II. Now, award-winning historian Steven Ozment, whom The New Yorker has hailed as "a splendidly readable scholar," gives us the fullest portrait possible in this sweeping, original, and provocative history of the German people, from antiquity to the present, holding a mirror up to an entire civilization -- one that has been alternately Western Europe's most successful and most perilous.