"When Brian told me of his affair, my whole world was shattered. Since the affair, and since the difficult recovery period, I have excelled in amazing ways in every area of my life. I look and feel better than I did when I was in my twenties. I have more energy, more zeal and more enthusiasm for life. Since I have gotten over my insecurities, I experience far better relationships with my husband, children and others. I also have more fun. No matter what tragedies happen in our lives, we always have a choice, not a choice over what will happen to us, but a choice over how we will react to it. Will we become bitter or better? I chose to become better, and now my greatest tragedy has also become my greatest personal victory." – Anne Bercht "Would I want to go back to our marriage before the affair? Not a chance! Would I have liked to have gotten to this point some other way? Absolutely! Would I recommend an affair to others so they can reach a greater love and better marriage? Absolutely not! If you have experienced an affair, is rebuilding your marriage worth it? You bet it is! As long as you love each other and are willing to do the work." – Brian Bercht

Danna Agmon's gripping microhistory is a vivid guide to the "Nayiniyappa Affair" in the French colony of Pondicherry, India. The surprising and shifting fates of Nayiniyappa and his family form the basis of this story of global mobilization, which is replete with merchants, missionaries, local brokers, government administrators, and even the French royal family. Agmon's compelling account draws readers into the social, economic, religious, and political interactions that defined the European colonial experience in India and elsewhere. Her portrayal of imperial sovereignty in France's colonies as it played out in the life of one beleaguered family allows readers to witness interactions between colonial officials and locals. Thanks to generous funding from Virginia Tech and its participation in TOME, the ebook editions of this book are available as Open Access volumes from Cornell Open (cornellpress.cornell.edu/cornell-open) and other repositories.

the press affair october 2016 is about montreal paper journalist taped telephone line by police

First published in 1991, The Stalker Affair and the Press documents the media treatment of police constable John Stalker’s removal from his job and argues that this case presents a major difficulty for the standard academic analysis of the press in Britain: namely that it supports the status quo because it is part of the dominant class system. The author argues that the exclusion of non-official and dissident versions of the events can be explained by more direct causes: the ownership of the press and the routine nature of normal news production, which relies on official and established sources. Where such sources do not produce an account of events, as in the case of the Stalker affair, the overwhelming majority of press output questioned the legitimacy of state actions, even to the extent of entertaining the notion that its agents had conspired to commit murder and to pervert the course of justice. David Murphy’s fascinating analysis picks apart the notion of a ‘system’ controlling production to demonstrate the complex interaction between methods of individual journalists, their sources and the ways news is produced. This book will be of great interest to students and teachers of media studies, cultural studies, journalism, and communication studies.

In the fall of 1950, newspapers around the world reported that the Italian-born nuclear physicist Bruno Pontecorvo and his family had mysteriously disappeared while returning to Britain from a holiday trip. Because Pontecorvo was known to be an expert working for the UK Atomic Energy Research Establishment, this raised immediate concern for the safety of atomic secrets, especially when it became known in the following months that he had defected to the Soviet Union. Was Pontecorvo a spy? Did he know and pass sensitive information about the bomb to Soviet experts? At the time, nuclear scientists, security personnel, Western government officials, and journalists assessed the case, but their efforts were inconclusive and speculations quickly turned to silence. In the years since, some have downplayed Pontecorvo’s knowledge of atomic weaponry, while others have claimed him as part of a spy ring that infiltrated the Manhattan Project. The Pontecorvo Affair draws from newly disclosed sources to challenge previous attempts to solve the case, offering a balanced and well-documented account of Pontecorvo, his activities, and his possible motivations for defecting. Along the way, Simone Turchetti reconsiders the place of nuclear physics and nuclear physicists in the twentieth century and reveals that as the discipline’s promise of military and industrial uses came to the fore, so did the enforcement of new secrecy provisions on the few experts in the world specializing in its application.

This book has been replaced by Getting Past the Affair, Second Edition, ISBN 978-1-4625-4748-7.

In The Petticoat Affair, prize-winning historian John F. Marszalek offers the first in--depth investigation of the earliest -- and perhaps greatest -- political sex scandal in American history. During Andrew Jackson's first term in office, Margaret Eaton, the wife of Secretary of State John Henry Eaton, was branded a "loose woman" for her unconventional public life. The brash, outgoing, and beautiful daughter of a Washington innkeeper, Margaret had socialized with her father's guests and married Eaton very soon after the death of her first husband, shocking genteel society. Jackson saw attacks on Eaton as part of a conspiracy to topple his administration, and his strong defense of her character dominated the first two years of his term, and led to the resignation of his entire cabinet.

Race, politics, and opera production during apartheid South Africa intersect in this historiographic work on the Eoan Group, a “coloured” cultural organization that performed opera in the Cape. The La Traviata Affair charts Eoan’s opera activities from the group’s inception in 1933 until the cessation of their productions by 1980. It explores larger questions of complicity, compromise, and compliance; of assimilation, appropriation, and race; and of “European art music” in situations of “non-European” dispossession and disenfranchisement. Performing under the auspices of apartheid, the group’s unquestioned acceptance of and commitment to the art of opera could not redeem it from the entanglements that came with the political compromises it made. Uncovering a rich trove of primary source materials, Hilde Roos presents here for the first time the story of one of the premier cultural agencies of apartheid South Africa.