A serial killer is loose on the streets of London, murdering apparently random members of the gentry with violent abandon. The corpses are each found with their chest cavities cracked open and their hearts removed. Charles Bainbridge, Chief Inspector of Scotland Yard, suspects an occult significance to the crimes and brings Newbury and Veronica in to investigate.

Quiet, unpopular, non-cheerleading Mia is blissfully happy. She is dating super hot football god Rob, and he actually likes her and asked her to prom! Enter Samantha?cheerleading goddess and miss popularity? who starts making a move for Rob. With prom in a few days, Mia needs to act fast. So she turns to her best friend, Candice, and decides to do a love spell on Rob. Unfortunately, she ends up inflicting a zombie virus onto her whole class, making herself their leader! At first she is flattered that everyone is treating her like a queen. But then zombie hunter hottie Chase explains they are actually fattening her up, because in a few days, Mia will be the first course in their new diet. She?s sure she and Chase can figure something out, but she suggests that no one wear white to prom, because things could get very messy.

Jack of Newbury is an incisive yet remarkably entertaining work of narrative prose—and one that was extremely popular when it was published in the 1590s. The title character, an apprentice weaver, marries his former master’s wife, expands her cloth business into an enormous enterprise, refuses Henry VIII’s offer of a knighthood, and confronts Cardinal Wolsey; meanwhile, his servants find themselves in a range of comic situations. While amusing, Jack of Newbury also carries a serious and subversive political message: as Peter C. Herman puts it in his introduction to the volume, “the truly valuable subjects” in Deloney’s narrative “are not the nobility, but the merchant class.” The range of contextual materials included with this edition help to set it in the broader context of its economic and political as well as literary culture.

Mickey Newbury (1940–2002) grew up in Houston and moved to Nashville in the early 1960s, following his muse. He wrote top hits for many well-known artists, including Don Gibson, Andy Williams, Kenny Rogers, Tom Jones, and others. He is probably best known, however, for being name-checked in the song “Luckenbach, Texas (Back to the Basics of Love)” by Waylon Jennings. Newbury has been cited by Jennings, Kris Kristofferson, Townes Van Zandt, and many other eminent singer-songwriters as a primary influence. In his own independent fashion, Newbury helped to loosen the grip maintained for decades by the Nashville studio system, thus paving the way for later innovators like Willie Nelson, David Allan Coe, and others. He is still the only songwriter to produce hits on four different charts in the same year in 1968: “Just Dropped In (to See What Condition My Condition was In)” on the pop/rock charts, “Sweet Memories” on easy listening, “Time Is a Thief” on the R & B charts, and “Here Comes the Rain, Baby” in country. Following the successful pattern established in his previous works on Townes Van Zandt and Ray Wylie Hubbard, veteran music journalist Brian T. Atkinson has interviewed artists such as Kris Kristofferson, Bobby Bare, Ramblin’ Jack Elliott, Steve Earle, Rodney Crowell, and many others to learn how Newbury’s influence continues to shape the musical and artistic approach of both seasoned and newer performers. Forewords by Larry Gatlin and Don McLean set the stage for a fascinating look back at one of the most revered songwriters and musicians of recent decades.

West Newbury was incorporated in 1819 after breaking away from the early settlement of Newbury, which was founded in 1635 by English livestock investors. From its very beginning, the town was a small farming community, later boasting many orchards, nurseries, and truck farms. The community was home to the last covered bridge in Essex County and can also lay claim as the birthplace of the comb industry. In 1886, a horsecar line from Haverhill opened up the community to surrounding areas. In 1897, horsecars were replaced with electric cars, the tracks of which extended to Newburyport. In the mid-1950s, the community grew with the opening of Route 95. Today, West Newbury retains its historic charm, and residents are passionate about its past.

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Demonstrating how struggles over gender and class were mediated through formal properties of writing, The Rhetoric of Concealment offers a new framework for the discussion of court literature and middle-class literature in the English Renaissance. Rosemary Kegl offers powerful readings of works by Puttenham, Sidney, Shakespeare, and Deloney and considers an array of other texts including journals, gynecological and obstetrical writings, misogynist tracts, defenses of women, prescriptive literature on companionate marriage, royal proclamations, legal records, and town charters.