Robert Frost is one of the foremost writers of American poetry. This is a thorough compilation of his seminal works.

No poet is more emblematically American than Robert Frost. This is a comprehensive volume of his verse, comprising all eleven volumes of his poems, meticulously edited by Edward Connery Lathem.

Thirteen classic poems by poets such as Robert Frost, Langston Hughes, Emily Dickinson, and David McCord are paired with parodies that honor and play off of the original poems in a range of ways. For example, "Stopping by Woods on a Snowy Evening" is paired with "Stopping by Fridge on a Hungry Evening" to hilarious effect, whereas the combination of Emily Dickinson's "'Hope' is the thing with feathers" with Lewis's "'Grief' is the thing with tissues" is profound, and both David McCord's "This Is My Rock" and Lewis's "This Is My Tree" hum with a sense of wonder. This playful introduction to classics will inspire imagination and wonder even as it tickles funny bones.

A collection of poems about the four seasons by one of America's best-known poets.

Originally published as: Mountain interval. New York: H. Holt and Co., 1916.

The early works of beloved poet Robert Frost, collected in one volume. The poetry of Robert Frost is praised for its realistic depiction of rural life in New England during the early twentieth century, as well as for its examination of social and philosophical issues. Through the use of American idiom and free verse, Frost produced many enduring poems that remain popular with modern readers. A Collection of Poems by Robert Frost contains all the poems from his first four published collections: A Boy’s Will (1913), North of Boston (1914), Mountain Interval (1916), and New Hampshire (1923), including classics such as “The Road Not Taken,” “Fire and Ice,” and “Stopping by Woods on a Snowy Evening.”

Robert Frost is one of the most widely read, well loved, and misunderstood of modern writers. In his day, he was also an inveterate note-taker, penning thousands of intense aphoristic thoughts, observations, and meditations in small pocket pads and school theme books throughout his life. These notebooks, transcribed and presented here in their entirety for the first time, offer unprecedented insight into Frost's complex and often highly contradictory thinking about poetics, politics, education, psychology, science, and religion--his attitude toward Marxism, the New Deal, World War--as well as Yeats, Pound, Santayana, and William James. Covering a period from the late 1890s to early 1960s, the notebooks reveal the full range of the mind of one of America's greatest poets. Their depth and complexity convey the restless and probing quality of his thought, and show how the unruliness of chaotic modernity was always just beneath his appearance of supreme poetic control. Edited and annotated by Robert Faggen, the notebooks are cross-referenced to mark thematic connections within these and Frost's other writings, including his poetry, letters, and other prose. This is a major new addition to the canon of Robert Frost's writings.

This lively collection is packed with kid-friendly, "pocket-sized" poems of eight lines or less by such well-known poets as Eve Merriam, Karla Kuskin, and the anthologist herself, Bobbi Katz. The easy-to-memorize, pint-sized poems reflect many different facets of children's lives and are embellished with witty, winning art by the beloved Marylin Hafner, making a package that will be welcomed by children and their teachers.