The mega-bestseller with more than 2 million readers Soon to be a Showtime/Paramount+ series starring Ewan McGregor as Count Alexander Rostov From the number one New York Times-bestselling author of The Lincoln Highway and Rules of Civility, a beautifully transporting novel about a man who is ordered to spend the rest of his life inside a luxury hotel 'A wonderful book' - Tana French 'This novel is astonishing, uplifting and wise. Don't miss it' - Chris Cleave 'No historical novel this year was more witty, insightful or original' - Sunday Times, Books of the Year '[A] supremely uplifting novel ... It's elegant, witty and delightful - much like the Count himself.' - Mail on Sunday, Books of the Year 'Charming ... shows that not all books about Russian aristocrats have to be full of doom and nihilism' - The Times, Books of the Year On 21 June 1922, Count Alexander Rostov - recipient of the Order of Saint Andrew, member of the Jockey Club, Master of the Hunt - is escorted out of the Kremlin, across Red Square and through the elegant revolving doors of the Hotel Metropol. Deemed an unrepentant aristocrat by a Bolshevik tribunal, the Count has been sentenced to house arrest indefinitely. But instead of his usual suite, he must now live in an attic room while Russia undergoes decades of tumultuous upheaval. Can a life without luxury be the richest of all? A BOOK OF THE DECADE, 2010-2020 (INDEPENDENT) THE TIMES BOOK OF THE YEAR 2017 A SUNDAY TIMES BOOK OF THE YEAR 2017 A MAIL ON SUNDAY BOOK OF THE YEAR 2017 A DAILY EXPRESS BOOK OF THE YEAR 2017 AN IRISH TIMES BOOK OF THE YEAR 2017 ONE OF BARACK OBAMA'S BEST BOOKS OF 2017 ONE OF BILL GATES'S SUMMER READS OF 2019 NOMINATED FOR THE 2018 INDEPENDENT BOOKSELLERS WEEK AWARD

"Life is a vexatious trap; when a thinking man reaches maturity and attains to full consciousness he cannot help feeling that he is in a trap from which there is no escape."Ward No. Six (1892) Anton Chekhov (1860-1904) was a Russian physician, dramaturge and author who is often referred to as one of the seminal figures in the birth of early modernism in the theatre. He made no apologies for the difficulties he posed to the readers, insisting that the role of an artist was to ask questions, not to answer them. Contents: Living Chattel Joy Bliss At The Barber's Enigmatic Nature Classical Student Matter of Classics Death of A Government Clerk Daughter of Albion Trousseau Inquiry Fat and Thin Tragic Actor Slanderer Bird Market Choristers Album Minds in Ferment Chameleon In The Graveyard Oysters Swedish Match Safety Match The Marshal's Widow Small Fry In an Hotel Boots Nerves Country Cottage Malingerers Fish Horsey Name Gone Astray Huntsman Malefactor Head of the Family Dead Body Cook's Wedding In A Strange Land Overdoing It Old Age Sorrow Oh! The Public Mari D'Elle The Looking-Glass Art A Blunder Children Misery Upheaval Actor's End The Requiem Anyuta Ivan Matveyitch The Witch Story Without an End Joke Agafya Nightmare Grisha Love Easter Eve Ladies Strong Impressions Gentleman Friend Happy Man Privy Councilor Day in the Country At a Summer Villa Panic Fears Chemist's Wife Not Wanted Chorus Girl Schoolmaster Troublesome Visitor Husband Misfortune Pink Stocking Martyrs First-Class Passenger Talent Dependents Jeune Premier In The Dark Trivial Incident Tripping Tongue Trifle from Life Difficult People In the Court Peculiar Man Mire Dreams Hush Excellent People An Incident Orator Work of Art Who Was to Blame? On The Road Vanka Champagne Frost Beggar ...

Dunney's career-maker: Negotiate a food deal for Moscow's '80 Olympics. He didn't care about dissidents or their rights. Until he landed in the middle. And slept with Elizaveta, the beautiful activist gracing the KGB's Most Wanted. Via Elizaveta, Dunney ended up with explosive evidence certain to scuttle Moscow's huge propaganda triumph. The KGB would stop at nothing to get it.