From the end of the Napoleonic Wars to Confederation, central Canada was awash with migrants from the British Isles and their cultural values. The raw prejudice that they brought with them – against the French, the Catholics, and even Yanks and Europeans – bound together the eventual political majority in Ontario. The Orangeman uses the life of Ogle Gowan, an Irish Protestant upstart from County Wexford who turned central Canada Orange, to explore these forces. Gowan was ambitious, malicious, and mendacious, but by the time of Confederation the Orange Order was the largest alliance of men in the country – the foundation of the coalition of conservative Protestants that sculpted Canadian politics in the century that followed. Don Akenson uses his skills as a historian and a novelist in respecting the historical record. The Orangeman is a lively and entertaining fictional biography, and in Akenson’s telling Gowan crosses swords with William Lyon Mackenzie and goes pub-crawling with the young John A. Macdonald. One never knows everything about a historical person or event; sometimes the right thing to do is to speculate sensibly and, if possible, have a little fun along the way. Akenson shows us Canadian loyalism, constitutionalism, and deference to state authority on one side of the coin, and on the flip side, the successful attempt by one group of Canadians to do down the other. This is real history, real life: as yesterday, so today.

A magisterial history of resistance to the rising of the British empire As the call for a new understanding of our national history grows louder, Britain’s Empire turns the received imperial story on its head. Richard Gott recounts the long-overlooked narrative of resisters, revolutionaries and revolters who stood up to the might of the Empire. In a story of almost continuous colonialist violence, Britain’s crimes unspool from the beginning of the eighteenth century to the Indian Mutiny, spanning the globe from Ireland to Australia. Capturing events from the perspective of the colonised, Gott unearths the all-but-forgotten stories excluded from mainstream histories.

Vol. 2 includes "The poet Shelley--his unpublished work, T̀he wandering Jew'" (p. 43-45, [57]-60)

The essays in this collection focus on United Irish propaganda and organisation before and during the 1798 rebellion.

Spanning over 2 centuries, James Gregory's Mercy and British Culture, 1760 -1960 provides a wide-reaching yet detailed overview of the concept of mercy in British cultural history. While there are many histories of justice and punishment, mercy has been a neglected element despite recognition as an important feature of the 18th-century criminal code. Mercy and British Culture, 1760-1960 looks first at mercy's religious and philosophical aspects, its cultural representations and its embodiment. It then looks at large-scale mobilisation of mercy discourses in Ireland, during the French Revolution, in the British empire, and in warfare from the American war of independence to the First World War. This study concludes by examining mercy's place in a twentieth century shaped by total war, atomic bomb, and decolonisation.