"Shem Pete (1896-1989), the colorful and brilliant raconteur from Susitna Station, Alaska left a rich legacy of knowledge about the Upper Cook Inlet Dena'ina world. Shem was one of the most versatile storytellers and historians in twentieth century Alaska. His lifetime travel map of approximately 13,500 square miles is one of the largest ever documented in this degree of detail anywhere in the world. Reflecting the latest scholarship on Upper Inlet Dena'ina ethnogeography and history, this revised second edition includes new place names, two new essays, numerous annotations, and new photographs. It also illustrates how Shem Pete's Alaska has contributed to the recognition of the Dena'ina heritage of southcentral Alaska since the publication of the second edition in 2003. The names form a reconstructed place name network from the vantage points of the life experiences of Shem Pete and other Dena'ina and Ahtna speakers. The place names are annotated with comments and stories by Shem Pete and more than fifty other contributors, and with historic references, vignettes, numerous photographs, a selection of historic maps, and shaded-relief place name maps. The authors provide perspective on Dena'ina language and culture, and a summary of Dena'ina geographic knowledge and place name research methodology. The book is a significant contribution to Athabascan ethnography and linguistics, the history of Alaska, and to the fields of ethnogeography and onomastics. This book will be the basic reference work on the Dena'ina people of Upper Cook Inlet"--Provided by publisher.

“I owe Alaska. It gave me everything I have.” Says Sidney Huntington, son of an Athapaskan mother and white trader/trapper father. Growing up on the Koyukuk River in Alaska’s harsh Interior, that “everything” spans 78 years of tragedies and adventures. When his mother died suddenly, 5-year-old Huntington protected and cared for his younger brother and sister during two weeks of isolation. Later, as a teenager, he plied the wilderness traplines with his father, nearly freezing to death several times. One spring, he watched an ice-filled breakup flood sweep his family’s cabin and belongings away. These and many other episodes are the compelling background for the story of a man who learned the lessons of a land and culture, lessons that enabled him to prosper as trapper, boat builder, and fisherman. This is more than one man's incredible tale of hardship and success in Alaska. It is also a tribute to the Athapaskan traditions and spiritual beliefs that enabled him and his ancestors to survive. His story, simply told, is a testament to the durability of Alaska's wild lands and to the strength of the people who inhabit them.

The rich artistic traditions of Alaska Natives are the subject of this landmark volume, which examines the work of the premier Alaska artists of the twentieth century. Ranging across the state from the islands of the Bering Sea to the interior forests, Alaska Native Art provides a living context for beadwork and ivory carving, basketry and skin sewing. Examples of work from Tlingit, Aleutian Islanders, Pacific Eskimo, Athabascan, Yupik, and Inupiaq artists make this volume the most comprehensive study of Alaskan art ever published. Alaska Native Art examines the concept of tradition in the modern world. Alaska Native Art is a volume to treasure, a tribute to the incredible vision of Alaska's artists and to the enduring traditions of all of Alaska's Native peoples.

Born in 1922, Kenny Thomas Sr. has been a trapper, firefighter, road builder, river-freight hauler, and soldier. Today he is a respected elder and member of a northern Athabaskan tribal group residing in Tanacross, Alaska. As a song and dance leader for the Tanacross community, Thomas has been teaching village traditions at an annual culture camp for more than twenty years. Over a three-year period, folklorist Craig Mishler conducted a series of interviews with Thomas about his life experiences. Crow Is My Boss is the fascinating result of this collaboration. Written in a style that reflects the dialogue between Thomas and Mishler, Crow Is My Boss retains the authenticity of Thomas’s voice, capturing his honesty and humor. Thomas reveals biographical details, performs and explains traditional folktales and the potlatch tradition, and discusses ghosts and medicine people. One folktale is presented in both English and Tanacross, Thomas’s native language. A compelling personal story, Crow Is My Boss provides insight into the traditional and contemporary culture of Tanacross Athabaskans in Alaska. Volume 250 in the Civilization of the American Indian series

Based on an Athabascan Indian legend passed along for many generations from mothers to daughters of the upper Yukon River Valley in Alaska, this is the suspenseful, shocking, ultimately inspirational tale of two old women abandoned by their tribe during a brutal winter famine. Though these women have been known to complain more than contribute, they now must either survive on their own or die trying. In simple but vivid detail, Velma Wallis depicts a landscape and way of life that are at once merciless and starkly beautiful. In her old women, she has created two heroines of steely determination whose story of betrayal, friendship, community and forgiveness "speaks straight to the heart with clarity, sweetness and wisdom" (Ursula K. Le Guin).

The Northern Athabascan peoples of the Alaskan interior and the Yukon have survived centuries of contact and attempted domination by outsiders. Their lives today are rich in meaning and tradition yet are also complicated by numerous challenges such as poverty, alcoholism, domestic violence, suicide, and troubled leadership. Combining scholarly analysis, first-person accounts, and her own experiences and insights as a Koyukon Athabascan artist and anthropologist, Phyllis Ann Fast illuminates the modern Athabascan world. Her conversations with Athabascan women offer revealing glimpses of their personal lives and a probing assessment of their professional opportunities and limitations. Also showcased is the crucial but ambiguous role of Athabascan leaders, who are needed to champion reform and social healing but are often undermined by conflicting notions of decision making, personhood, and leadership in Athabascan society. A troubling observation of this study is the vast extent to which addiction—manifested as both substance abuse and economic dependency—pervades Northern Athabascan society and threatens to curtail its cohesion and aspirations. But Northern Athabascans are far from victims. As Fast discovers, Northern Athabascan men and women are well aware of these widespread social problems, and many have undertaken initiatives to deal with and heal them. Rigorous and compassionate, Northern Athabascan Survival provides an uncompromising view of a remarkable and troubled world.

This Athabascan legend follows a young girl and her family as they set up their traditional seasonal fishing camp along the banks of a river. As they prepare for the return of the salmon, the girl wonders, "What would it be like to be a fish?" This heartfelt wish sends the young girl on a startling odyssey to the sea where she learns the ways of the salmon.