The greatest haunted house story ever written, the inspiration for a 10-part Netflix series directed by Mike Flanagan and starring Michiel Huisman, Carla Gugino, and Timothy Hutton First published in 1959, Shirley Jackson’s The Haunting of Hill House has been hailed as a perfect work of unnerving terror. It is the story of four seekers who arrive at a notoriously unfriendly pile called Hill House: Dr. Montague, an occult scholar looking for solid evidence of a “haunting”; Theodora, his lighthearted assistant; Eleanor, a friendless, fragile young woman well acquainted with poltergeists; and Luke, the future heir of Hill House. At first, their stay seems destined to be merely a spooky encounter with inexplicable phenomena. But Hill House is gathering its powers—and soon it will choose one of them to make its own. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Horror.

In the latest thriller from New York Times bestseller Riley Sager, a woman returns to the house made famous by her father’s bestselling horror memoir. Is the place really haunted by evil forces, as her father claimed? Or are there more earthbound—and dangerous—secrets hidden within its walls? What was it like? Living in that house. Maggie Holt is used to such questions. Twenty-five years ago, she and her parents, Ewan and Jess, moved into Baneberry Hall, a rambling Victorian estate in the Vermont woods. They spent three weeks there before fleeing in the dead of night, an ordeal Ewan later recounted in a nonfiction book called House of Horrors. His tale of ghostly happenings and encounters with malevolent spirits became a worldwide phenomenon, rivaling The Amityville Horror in popularity—and skepticism. Today, Maggie is a restorer of old homes and too young to remember any of the events mentioned in her father's book. But she also doesn’t believe a word of it. Ghosts, after all, don’t exist. When Maggie inherits Baneberry Hall after her father's death, she returns to renovate the place to prepare it for sale. But her homecoming is anything but warm. People from the past, chronicled in House of Horrors, lurk in the shadows. And locals aren’t thrilled that their small town has been made infamous thanks to Maggie’s father. Even more unnerving is Baneberry Hall itself—a place filled with relics from another era that hint at a history of dark deeds. As Maggie experiences strange occurrences straight out of her father’s book, she starts to believe that what he wrote was more fact than fiction.

Joey, a third grader, goes on a class trip to State Forest where he secretly searches for the Great Spirit of the Wannatuck tribe.

A psychological horror with a literary twist, Kill Creek delivers elevated prose, while evoking the unnerving, atmospheric terror essential to greats like Peter Straub and Stephen King—a haunting that lingers long after turning the last page.

"A must-read for lost souls everywhere." —Kirkus Reviews, Starred Review With spellbinding verse prose, R.M. Romero channels the spirit of myth into a brilliantly original tale, inspired by her experiences restoring Jewish cemeteries in Eastern Europe. Magic will burn you up. Sent to stay with her aunt in Prague and witness the humble life of an artist, Ilana Lopez—a biracial Jewish girl—finds herself torn between her dream of becoming a violinist and her immigrant parents’ desire for her to pursue a more stable career. When she discovers a forgotten Jewish cemetery behind her aunt’s cottage, she meets the ghost of a kindhearted boy named Benjamin, who died over a century ago. As Ilana restores Benjamin’s grave, he introduces her to the enchanted side of Prague, where ghosts walk the streets and their kisses have warmth. But Benjamin isn't the only one interested in Ilana. Rudolph Wassermann, a man with no shadow, has become fascinated with her and the music she plays. He offers to share his magic, so Ilana can be with Benjamin and pursue her passion for violin. But after Ilana discovers the truth about Wassermann and how Benjamin became bound to the city, she resolves to save the boy she loves, even if it means losing him—forever. A love letter to Latin American and Jewish diasporas, based on the author's experiences working to maintain Jewish cemeteries in Eastern Europe. The Ghosts of Rose Hill is a tender and empowering read that you will devour in one sitting. Steeped in history and the experiences of immigrant families, especially Jewish families, each carefully-chosen word of this magical verse novel casts a spell. A School Library Journal Best Book of the Year An Indie Next Pick!

Whoo-whooo-whoooo cried the wind as it swept down from the Himalayan snows The menacing wind rattled windows, choked chimneys and blew away clothes as it loomed over the little village next to Haunted Hill, where Usha, Suresh and Binya lived. It was even more ominous the day Usha was on her way back from the bazaar. A deep rumble echoed and a sudden flash of lightning lit up the hill as heavy pellets of rain came down in quick succession. Usha was forced to take shelter in the ruins of Haunted Hill that stood before her, grim and forbidding. As the tin sheet above groaned and clattered and streaks of lightning lit up the walls, Usha saw two small figures crouching in the disused fireplace. Then everything was dark again . . . A gritty, hair-raising story about friendship, courage and survival from India's favourite teller of tales, this stunning edition is an absolute must-have to introduce young readers to the magic of Ruskin Bond's craft.

Science fiction, fantasy, comics, romance, genre movies, games all drain into the Cultural Gutter, a website dedicated to thoughtful articles about disreputable art-media and genres that are a little embarrassing. Irredeemable. Worthy of Note, but rolling like errant pennies back into the gutter. The Cultural Gutter is dangerous because we have a philosophy. We try to balance enthusiasm with clear-eyed, honest engagement with the material and with our readers. This book expands on our mission with 10 articles each from science fiction/fantasy editor James Schellenberg, comics editor and publisher Carol Borden, romance editor Chris Szego, screen editor Ian Driscoll and founding editor and former games editor Jim Munroe.

The house next door to the Kennedys appears to be haunted by an all-pervasive evil, and the couple watches as a succession of owners becomes engulfed by the sinister force, until the Kennedys set out to destroy the house themselves.

The year is 1884. The place is Lyttelton, a small and bustling harbour town. Elsie is waiting for the fish to bite. She has her reasons for coming down to the waterfront so often, the main one being the memory of the lost boys. She was one of the last to see them alive, and now she is haunted by what happened to them. When the opportunity comes for Elsie to follow in their footsteps over the Bridle Path, and put their ghosts to rest, she doesn't hesitate. 'I'll be careful,' she says. But no one knows that the weather is about to change for the worse."--Publisher information.