Murder is a messy business, especially for the person who has to clear up afterwards: in this case, me. I didn't commit the murder, you understand, I just found it. Him, I found him ...Juno Browne is a self-appointed Domestic Goddess. From cleaning to dog-walking to caring for the elderly, she flits around the picturesque town of Ashburton in her trusty van ready to turn her hand to anything. But when she takes on a new client, Old Nick, little does she expect to be pulled into the shady world of antique dealing and find herself in the middle of a murder investigation - and, if she's not careful, the next victim, too.

A Wisconsin bookstore owner and cryptozoologist is asked to investigate a series of deaths that just might be proof of a fabled lake monster in this first installment of a new mystery series by USA Today bestselling author Annelise Ryan. Morgan Carter, owner of the Odds and Ends bookstore in Door County, Wisconsin, has a hobby. When she’s not tending the store, she’s hunting cryptids—creatures whose existence is rumored, but never proven to be real. It’s a hobby that cost her parents their lives, but one she’ll never give up on. So when a number of bodies turn up on the shores of Lake Michigan with injuries that look like bites from a giant unknown animal, police chief Jon Flanders turns to Morgan for help. A skeptic at heart, Morgan can’t turn down the opportunity to find proof of an entity whose existence she can’t definitively rule out. She and her beloved rescue dog, Newt, journey to the the strait known as Death’s Door to hunt for a homicidal monster in the lake—but if they’re not careful, she just might be its next victim.

A century since the departure of the Gods, the Three Nations are now united beneath the Tsar. Magic has been outlawed, its power too dangerous to remain unchecked. All Magickers must surrender themselves to the crown, or face imprisonment and death. Alana's mundane life has just been torn apart by the emergence of her brother's magic. Now they must leave behind everything they’ve ever known and flee – before the Tsar’s Stalkers pick up their trail. Tasked with hunting down renegade Magickers, the merciless hunters will stop at nothing to bring them before the Tsar’s judgement. As the noose closes around Alana and her brother, disgraced hero Devon finds himself at odds with the law when he picks a fight with the wrong man. The former warrior has set aside his weapons, but now, caught between the renegades and the Stalkers, he is forced to pick a side – the empire, or the innocent. An original epic fantasy book with dragons, gods and magic, packed with action, adventure, swords and sorcery, by New York Times Bestselling Author Aaron Hodges.

This book discusses John Galsworthy’s compassion for people and animals, in his fiction, non-fiction and drama. Initial chapters explore compassion in The Forsyte Saga and The Modern Comedy, and his parents’ influence. Other chapters examine his works helping prison reform, men and children disabled during the First World War, and people whose relatives were interned as war-time alien enemies. Two chapters focus on slum clearance and labour unrest during the twentieth century’s first three decades. Another two concentrate on animal welfare and vivisection. The final chapter attempts to appraise Galsworthy as a writer by looking at what commentators past and present have said, and at what constitutes literature.

This book offers a timely intervention in current debates on diaspora and diasporic identity by affirming the importance of narrative as a discursive mode to understand the human face of contemporary migrations and dislocations. Focusing on the Caribbean double-diaspora, Pulitano offers a close-reading of a range of popular works by four well-known writers currently living in the United States: Jamaica Kincaid, Michelle Cliff, Edwidge Danticat, and Caryl Phillips. Navigating the map of fictional characters, testimonial accounts, and autobiographical experiences, Pulitano draws attention to the lived experience of contemporary diasporic formations. The book offers a provocative re-thinking of socio-scientific analyses of diaspora by discussing the embodied experience of contemporary diasporic communities, drawing on disciplines such as Caribbean, Postcolonial, Diaspora, and Indigenous Studies along with theories on "border thinking" and coloniality/modernity. Contesting restrictive, national, and linguistic boundaries when discussing literature originating from the Caribbean, Pulitano situates the transnational location of Caribbean-born writers within current debates of Transnational American Studies and investigates the role of immigrant writers in discourses of race, ethnicity, citizenship, and belonging. Exploring the multifarious intersections between home, exile, migration and displacement, the book makes a significant contribution to memory and trauma studies, human rights debates, and international law, aiming at a wide range of scholars and specialized agents beyond the strictly literary circle. This volume affirms the humanity of personal stories and experiences against the invisibility of immigrant subjects in most theoretical accounts of diaspora and migration.

"Criminal law is one of the most important classes you will take in law school. For some students, it is important because they want to become prosecutors, defense lawyers, or judges. However, a course in criminal law is also important for those students who see their futures in civil practice. Especially in today's society, it is not unusual for clients from all walks of life to have problems that implicate the criminal justice system. For example, a simple business transaction may trigger questions regarding fraud, or a family law case can raise issues regarding criminal abuse. In the final analysis, criminal law is important because it teaches you how to read statutes, interpret them in light of hundreds of years of common law, and argue their application in light of today's policy concerns"--