The Fasti is one of Ovid's most complex, inventive, and remarkable works. This commentary on Book 2 - the first detailed commentary in English - guides the reader towards a fuller appreciation of the poem, through detailed analysis of its religious, historical, political, and literary background.

The verse-by-verse commentary on the Ovidian text includes the reading of more than 300 manuscripts, including the so-called Heinsian manuscripts, and of almost 100 editions, from the two "editiones principes" of 1471 to the present day. The introduction describes the manuscripts used, and a history of the Ovidian editions is also traced. A new text of book VI is presented, accompanied by a slim and lucid critical apparatus. Futher information appears in the commentary and in the appendices, particularly readings of manuscripts and editions. The verbatim commentary offers, with reliable quotes for each term, the critical observations of all the editors and commentators of the Ovidian work throughout the centuries. This aspect of critical edition has been neglected by commentators of Ovid since Heinsius (1659) and Burman (1727). Two appendices ("Readings of manuscripts" and "Readings of editions") are added for the first time for readers of the Ovidian work. The volume closes with a "Select index of textual problems", a large "Index locorum" and an "Index nominum".

Discover a holistic perspective on Ovid’s Metamorphoses Book 10 with this insightful resource. In A Student’s Commentary on Ovid’s Metamorphoses Book 10, Shawn O’Bryhim offers an insightful and concise examination of the literary, grammatical, and textual matters integral to Book 10 of Ovid’s Metamorphoses. Expanding the scope of more traditional textbooks on Book 10, the author explores the archaeological, religious, and cultural elements of the work as it relates to Greece, Rome, and the Near East. Readers will benefit from the inclusion of: A multidisciplinary approach that examines the religious, archaeological, and cultural background of Ovid’s myths A Near Eastern perspective on the material, which will allow a deeper understanding of the subject matter An exploration of the grammatical and literary components that characterize Book 10 Intended primarily for undergraduates in advanced Latin courses on Ovid, A Student’s Commentary on Ovid’s Metamorphoses Book 10 will also earn a place in the library of anyone who desires a broader approach to the study of Book 10 of the Metamorphoses.

This commentary provides a detailed analysis of the first book of Ovid's Fasti, a complex poem which takes as its central framework the Roman calendar in the late Augustan/early Tiberian period and purports to deal with its religious festivals and their origins. Book I covers the month of January, and has proven to be particularly challenging to readers in light of the apparent revision/reworking of the text undertaken by the poet whilst in exile. This commentary - the most extensive yet on any single book of the poem - locates the text of Book I firmly in its literary, historical, and socio-political contexts and seeks both to incorporate and build on the recent scholarship on the poem. In light of the special nature of Book I, the commentary is prefaced by two introductory sections, the second of which tackles head-on the problems (and dynamics) of post-exilic reworking of the text.

A detailed commentary on Tristia 2, Ovid's verse letter addressed from exile to the emperor Augustus. Jennifer Ingleheart provides an indispensable guide to all aspects of the poem - textual, literary, historical and political - while her introductioon explores, among other topics, its ironical and subversive aspects.

Students of Latin have long enjoyed the poetry of Ovid, but his love poems, aptly titled Amores, have proved more difficult to introduce into the classroom. Curricular changes and increased appreciation of sophisticated love poetry are finally making room for the Amores. This edition of the first book of the Amores—the only one available for both intermediate- and advanced-level classes—addresses the needs of students of varying abilities and experience, helping them comprehend, and more fully enjoy, the rich complexities of Ovid's poetry. In their introduction to the volume, Maureen B. Ryan and Caroline A. Perkins recount Ovid's career as a poet, describe the elegiac genre, and explain elegiac meter and style. For the Latin text, they briefly introduce each poem, acquainting students with relevant subject matter and themes. Their commentary provides helpful notes clarifying grammatical constructions, word order, ellipsis, and other complexities of the Latin language that can challenge even the most experienced student. On the assumption that students will gain skills as they work through each poem, Ryan and Perkins give extensive and repeated assistance at the beginning of the text, tapering off as the student's facility increases. Throughout their commentary, they highlight thematic points of interest; explain mythological, cultural, and literary allusions; and stress the importance of Ovid's literary innovations. In addition to the critical apparatus accompanying each poem, this volume features a glossary of literary terms, a comprehensive Latin-to-English vocabulary, and an up-do-date bibliography.

Ovid's Metamorphosesis a weaving-together of classical myths, extending in time from the creation of the world to the death of Julius Caesar. This volume provides the Latin text of the first five books of the poem and the most detailed commentary available in English of these books.

Ovid is a poet to enjoy, declares William S. Anderson in his introduction to this textbook. And Anderson’s skillful introduction and enlightening textual commentary will indeed make it a joy to use. In these books Ovid begins to leave the conflict between men and the gods to concentrate on the relations among human beings. Subjects of the stories include Arachne and Niobe; Tereus, Procne, and Philomela; Medea and Jason; Orpheus and Eurydice; and many others, familiar and unfamiliar. For students of Latin-and teachers, too-they provide an interesting experience. In his introduction the editor discusses Ovid’s career, the reputation of the Metamorphoses during Ovid’s time and after, and the various manuscripts that exist or have been known to exist. He describes the general plan of the poem, its main theme, and the problem of its tone. Technical matters, such as style and meter, are also considered. In notes the editor summarizes the story being told before proceeding to the line-by-line textual comments.

Presents a clear and detailed guide to a central book of the Fasti, Ovid's account of Rome and its calendar.