Botany in the romantic era played a role in debates about life, nature, and knowledge, as evidenced in this ambitious, beautifully illustrated study. Winner, 2012 British Society for Literature and Science Book Prize Romanticism was a cultural and intellectual movement characterized by discovery, revolution, and the poetic as well as by the philosophical relationship between people and nature. Botany sits at the intersection where romantic scientific and literary discourses meet. Clandestine Marriage explores the meaning and methods of how plants were represented and reproduced in scientific, literary, artistic, and material cultures of the period. Theresa M. Kelley synthesizes romantic debates about taxonomy and morphology, the contemporary interest in books and magazines devoted to plant study and images, and writings by such authors as Mary Wollstonecraft and Anna Letitia Barbauld. Period botanical paintings of flowers are reproduced in vibrant color, bringing her argument and the romantics' passion for plants to life. In addition to exploring botanic thought and practice in the context of British romanticism, Kelley also looks to the German philosophical traditions of Kant, Hegel, and Goethe and to Charles Darwin’s reflections on orchids and plant pollination. Her interdisciplinary approach allows a deeper understanding of a time when exploration of the natural world was a culture-wide enchantment.

Katharine Cleland's Irregular Unions provides the first sustained literary history of clandestine marriage in early modern England and reveals its controversial nature in the wake of the Elizabethan Religious Settlement, which standardized the marriage ritual for the first time. Cleland examines many examples of clandestine marriage across genres. Discussing such classic works as The Faerie Queene, Othello, and The Merchant of Venice, she argues that early modern authors used clandestine marriage to explore the intersection between the self and the marriage ritual in post-Reformation England. The ways in which authors grappled with the political and social complexities of clandestine marriage, Cleland finds, suggest that these narratives were far more than interesting plot devices or scandalous stories ripped from the headlines. Instead, after the Reformation, fictions of clandestine marriage allowed early modern authors to explore topics of identity formation in new and different ways. Thanks to generous funding from Virginia Tech and its participation in TOME (Toward an Open Monograph Ecosystem), the ebook editions of this book are available as Open Access volumes from Cornell Open (cornellpress.cornell.edu/cornell-open) and other repositories.

Have you ever wondered about the hidden romance contained within Jane Austen's Emma? This literary retelling of Austen's classic novel focuses on the courtship and secret engagement of Jane Fairfax and Frank Churchill. How did two people of such evidently disparate temperaments fall in love? How was "the most upright female mind in the creation" persuaded to keep their engagement secret? What were the thoughts and feelings of each as events unfolded during that spring and summer in Highbury? Written with great fidelity to the original, Lovers' Perjuries fills in all the details of scenes only hinted at in Emma. It also introduces new characters in a substantial subplot inspired by Persuasion, but featuring a lively heroine more reminiscent of Elizabeth Bennet than Anne Elliot. NOTE: THIS IS THE COMPLETE TEXT IN ONE VOLUME.

Examines how and why marriage plots became the English novel's most popular form in the eighteenth century. This book will be of interest to students and researchers of eighteenth and early nineteenth-century English literature and culture as well as feminist literary history.

Did you know that...The "contemporary" fashion of living together before marriage is far from new, and was frequently practiced in earlier days...Self-divorce, although never legal, was once a commonplace occurrence...Marriage is more popular today than in the Victorian era...Marriage in church was not compulsory in England and Wales until the mid-18th century. These are just a few of the fascinating, and often surprising, revelations in For Better, For Worse, the most comprehensive treatment to date of the history of marriage in a major Western society. Using fresh evidence from popular courtship and wedding rituals over four centuries, Gillis challenges the widely held belief that marriage has evolved from a cold, impersonal arrangement to a more affectionate, egalitarian form of companionship. The truth, argues Gillis, lies somewhere in between: conjugal love was never wholly absent in preindustrial times, while today's marriages are less companionate than is commonly believed. Gillis also illustrates, in rich detail, the perpetual tension between marital ideals and actual practices. This social history of the behavior and emotions of ordinary men and women radically revises our perspective on love and marriage in the past--and the present.

In Road to Divorce, Lawrence Stone explored the different ways in which marriage took place, and analysed the confusion and uncertainty surrounding the legality of the institution in its various forms before the Marriage Act of 1753. He now shows in absorbing detail, through a series of case-studies, how courting and marrying couples tended to manoeuvre around the ambiguities of the law, and how they sometimes became entangled in a web of moral and legal contradiction leading to personal catastrophe. There are stories about unwise courtship, prenuptial pregnancies, forced marriages by parents or parish officials, bigamy, clandestine marriages often performed in haste in peculiarly squalid circumstances and repented at leisure. These fascinating studies reveal in intimate, often ribald, detail how men and women adjusted their sexual conduct, moral attitudes, and matrimonial plans to suit an ambiguous legal situation. Professor Stone has traced the ways in which, during the seventeenth and eighteenth centuries, demands by individuals for love and affection were starting to take precedence over family interests and parental dictation in the search for a spouse; the studies he has drawn from court records for Uncertain Unions enable us to see this great moral transition being played out in the lives of men and women, often in their own words. These are vivid, human histories, presented in revealing detail, by a leading historian of the family.

Marriage in Europe, 1400-1800 examines the institution not just as it was theorized by jurists and theologians, but as it was lived in reality.

NATIONAL BESTSELLER • From Nobel Prize–winning author Alice Munro come nine short stories with “the intimacy of a family photo album and the organic feel of real life” (The New York Times) “In Munro’s hands, as in Chekhov’s, a short story is more than big enough to hold the world—and to astonish us, again and again.”—Chicago Tribune FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD • A TIME BEST BOOK OF THE YEAR • ONE OF THE NEW YORK TIMES’S 100 BEST BOOKS OF THE 21ST CENTURY In the nine breathtaking stories that make up this collection, Alice Munro creates narratives that loop and swerve like memory, conjuring up characters as thorny and contradictory as people we know ourselves. The fate of a strong-minded housekeeper with a “frizz of reddish hair,” just entering the dangerous country of old-maidhood, is unintentionally (and deliciously) reversed by a teenaged girl’s practical joke. A college student visiting her aunt for the first time and recognizing the family furniture stumbles on a long-hidden secret and its meaning in her own life. An inveterate philanderer finds the tables turned when he puts his wife into an old-age home. A young cancer patient stunned by good news discovers a perfect bridge to her suddenly regained future. A woman recollecting an afternoon’s wild lovemaking with a stranger realizes how the memory of that encounter has both changed for her and sustained her through a lifetime. Hateship, Friendship, Courtship, Loveship, Marriage is Munro at her best—tirelessly observant, serenely free of illusion, deeply and gloriously humane.

The period from her first London assembly to her wedding day was the narrow span of autonomy for a middle-class Englishwoman in the eighteenth and early nineteenth centuries. For many women, as Katherine Sobba Green shows, the new ideal of companionate marriage involved such thoroughgoing revisions in self-perception that a new literary form was needed to represent their altered roles. That the choice among suitors ideally depended on love and should not be decided on any other grounds was a principal theme among a group of heroine-centered novels published between 1740 and 1820. During these decades, some two dozen writers, most of them women, published such courtship novels. Specifically aiming them at young women readers, these novelists took as their common purpose the disruption of established ideas about how dutiful daughters and prudent young women should comport themselves during courtship. Reading a wide range of primary texts, Green argues that the courtship novel was a feminized genre—written about, by, and for women. She challenges contemporary readers to appreciate the subtleties of early feminism in novels by Eliza Haywood, Mary Collyer, Charlotte Lennox, Samuel Richardson, Frances Brooke, Fanny Burney, Mary Wollstonecraft, Jane West, Mary Brunton, Maria Edgeworth, and Jane Austen—to recognize that these courtship novelists held in common a desire to reimagine the subject positions through which women understood themselves.

A collection of essays by Michael Sheehan, whose work and interpretation on medieval property, marriage, family, sexuality, and law has insprired scholars for 40 years.