"The Manga Scene": When Ms. Grundy catches Archie reading a manga comic book, she assigns him a 500 word composition on the subject. Can America's foremost comic book teen learn about his Eastern counterparts before the deadline? "Note Well Taken": When Archie finds his father's old jazz trumpet in the attic, will it strike a joyful refrain or a sour note with dear old dad? "Posing a Problem": When Archie poses for a public service ad, the prospect of becoming a girl-magnet model goes to his head... until Betty and Veronica make him strike a difference pose!

A sumptuous portrait comprising texts and images of the prestigious complex 565 Broome Soho in New York, designed by the Renzo Piano firm. This volume is dedicated to the 565 Broome Street skyscraper, the first residential building conceived by Renzo Piano and designed by the Renzo Piano Building Workshop in the city of New York. Developed by Bizzi & Partners, the double tower occupies a corner space in the SoHo district, close to the Hudson River. Rich and fascinating iconography and a text by Federico Bucci and Carol Willis describe the design, the main features of the building, and how it relates to the city and the light that surrounds it in a unique way. The photographic selection is divided into thematic chapters, starting from the representation of the building’s urban context and then illustrating the different parts of the project, the formal and structural characteristics of the towers, and the interiors. It also describes the contemporary artwork by Susumu Shingu that occupies the space between the towers.

Can Emily love a man with a past like Darin's? Regardless of what's gone before, can she trust God for the future? Will Emily rest in God's plan with an unbreakable hope?

The twilight of the Roman Empire saw a revolution in the way war was waged. The drilled infantryman, who had been the mainstay of Mediterranean armies since the days of the Greek hoplite, was gradually replaced by the mounted warrior. This change did not take place overnight, and in the 3rd and 4th centuries the role of the cavalryman was primarily to support the infantry. However, by the time of the 6th century, the situation had been completely reversed. Late Roman Cavalryman gives a full account of the changing experience of the mounted soldiers who defended Rome's withering western empire.