The successful emergence of Shanghai as a world city by the close of the nineteenth century was built upon the establishment of a modern urban base. No aspect of Shanghai's infrastructural developments was more critically important than the creation of a public health system. A Wilderness of Marshes traces Shanghai's medical infrastructure from its conception to the implementation of a Western-style public health system and a municipal government to manage it. Kerrie MacPherson details the pioneering actions of Shanghai's capitalist, professional, and religious communities who skillfully adapted the ideas and practices gaining currency in Western science, medicine, public morality, and urban circumstances to the Asian metropolis.

This book explores the play of international forces and international ideas about Shanghai, looking backward as far as its transformation into a subdivided treaty port in the 1840s, and looking forward to its upcoming hosting of China’s first World’s Fair, the 2010 Expo. As such, Global Shanghai is a lively and informative read for students and scholars of Chinese studies and urban studies and anyone interested in the history of Shanghai.

As China's largest city best known for its pre-eminent achievements in the early part of the twentieth century, Shanghai grew modestly in comparison with southern China after the adoption of China's open policy in 1978. With the 1990 announcement of Pudong as an area for special development, Shanghai has raced ahead, seemingly on its way to an economic and cultural resurgence that is likely to accelerate development and modernization in the Yangzi Delta and China at large. This volume focuses on the physical and socioeconomic transformation of Shanghai across a wide range of topics. Drawing on the experience and expertise of researchers primarily in Hong Kong, this study is a major contribution to the subject of economic development and social change in China. It seeks to understand, analyze and interpret how Shanghai has transformed itself in recent years.

This book explores China’s encounter with architecture and modernity in the tumultuous epoch before Communism – an encounter that was mediated not by a singular notion of modernism emanating from the west, but that was uniquely multifarious, deriving from a variety of sources both from the west and, importantly, from the east. The heterogeneous origins of modernity in China are what make its experience distinctive and its architectural encounters exceptional. These experiences are investigated through a re-evaluation of established knowledge of the subject within the wider landscape of modern art practices in China. The study draws on original archival and photographic material from different artistic genres and, architecturally, concentrates on China’s engagement with the west through the treaty ports and leased territories, the emergence of architecture as a profession in China, and Japan’s omnipresence, not least in Manchuria, which reached its apogee in the puppet state of Manchukuo. The study’s geographically, temporally, and architecturally inclusive approach framed by the concept of multiple modernities questions the application of conventional theories of modernity or post-colonialism to the Chinese situation. By challenging conventional modernist historiography that has marginalised the experiences of the west’s other for much of the last century, this book proposes different ways of grappling with and comprehending the distinction and complexity of China’s experiences and its encounter with architectural modernity.

From its origins in Liverpool in 1816, one unusual British firm has threaded a way through two centuries that have seen tumultuous events and epochal transformations in technologies and societies. John Swire & Sons, a small trading company that began by importing dyes, cotton and apples from the Americas, now directs a highly diversified group of interests operating across the globe but with a core focus on Asia. From 1866 its fate was intertwined with developments in China, with the story of steam, and later of flight, and with the movements of people and of goods that made the modern world. China Bound charts the story of the firm, its family owners and staff, its operations, its successes and its disasters, as it endured wars, uprisings and revolutions, the rise and fall of empires - China's, Britain's, Japan's – and the twists and turns of the global economy. This is the story of a business that reshaped Hong Kong, developed Cathay Pacific Airways, dominated China's pre-Second World War shipping industry, and helped pioneer containerization. Robert Bickers' remarkable new book is the history of a business, and of its worlds, of modern China, Britain, and of the globalization that entangled them, of compradors, ship-owners, and seamen, sugar travellers, tea-tasters, and stuff merchants, revolutionaries, pirates and Taipans. Essential reading for anyone with an interest in global commerce, China Bound provides an intimate history that helps explain the shape of Asia today.

The true story of a British aristocrat, an American flapper, and a Chinese poet trapped in an unlikely love triangle amid the decadence of Jazz Age Shanghai. On the eve of World War II, the foreign-controlled port of Shanghai was the rendezvous for the twentieth century’s most outlandish adventurers, all under the watchful eye of the fabulously wealthy Sir Victor Sassoon. Emily “Mickey” Hahn was a legendary New Yorker journalist whose vivid writing played a crucial role in opening Western eyes to the realities of life in China. At the height of the Depression, Hahn arrives in Shanghai after a disappointing affair with an alcoholic Hollywood screenwriter, convinced she would never love again. After checking in to Sassoon’s glamorous Cathay Hotel, Hahn is absorbed into the social swirl of the expats drawn to pre-war China, among them Ernest Hemingway, Martha Gellhorn, Harold Acton, and a colorful gangster named Morris “Two-Gun” Cohen. But when she meets Zau Sinmay, a Chinese poet from an illustrious family, she discovers the real Shanghai through his eyes: the city of rich colonials, triple agents, opium smokers, displaced Chinese peasants, and increasingly desperate White Russian and Jewish refugees—a place her innate curiosity will lead her to explore firsthand. Danger lurks on the horizon, though, as the brutal Japanese occupation destroys the seductive world of pre-war Shanghai, paving the way for Mao Tse-tung’s Communists’ rise to power. Praise for Shanghai Grand “A headlong swoon for old Shanghai. The feeling is easy to catch.” —The New York Times Book Review “Filled with excellent short character sketches and keeps the reader turning the pages to find out what happens next . . . Brings to life a special time and a special place.” —The Wall Street Journal “Grescoe exuberantly captures the glamour and intrigue of a lost world.” —Kirkus Reviews

In this fascinating book, Catherine Yeh explores the Shanghai entertainment world at the close of the Qing dynasty. Established in the 1850s outside of the old walled city, the Shanghai Foreign Settlements were administered by Westerners and so were not subject to the strict authority of the Chinese government. At the center of the dynamic new culture that emerged was the courtesan, whose flamboyant public lifestyle and conspicuous consumption of modern goods set a style that was emulated by other women as they emerged from the "inner quarters" of traditional Chinese society. Many Chinese visitors and sojourners were drawn to the Foreign Settlements. Men of letters seeking a living outside of the government bureaucracy found work in the Settlements’ burgeoning print industry and formed the new class of urban intellectuals. Courtesans fled from oppressive treatment and the turmoil of uprisings elsewhere in China and found unprecedented freedom in Shanghai to redefine themselves and their profession. As the entertainment industry developed, publications sprang up to report on and promote it. Journalists and courtesans found that their interests increasingly coincided, and the Settlements became a cosmopolitan playground. Ritualized role-play based on novels such as Dream of the Red Chamber elevated the status of courtesan entertainment and led to culturally rich interactions between courtesans and their clients. As participants acted out the stories in public, they introduced modern notions of love and romance that were radically at odds with the traditional roles of men and women. Yet because social change arrived in the form of entertainment, it met with little resistance. Yeh shows how this fortuitous combination of people and circumstances, rather than official decisions or acts, created the first multicultural modern city in China. With illustrations from newspapers, novels, travel guides, and postcards, as well as contemporary written descriptions of life in foreign-driven, fast-paced, cutting-edge Shanghai, this study traces the mutual influences among courtesans, intellectuals, and the city itself in creating a modern, market-oriented leisure culture in China. Historians, literary specialists, art critics, and social scientists will welcome this captivating foray into the world of late nineteenth-century popular culture.

This book argues that regional food culture is intrinsic to how Chinese connect to the past, live in the present, and imagine their future. It focuses on Shanghai?a food lover's paradise?and identifies the importance of regional food culture at pivotal moments in the city's history, and in Chinese history more generally.