Andrew Ashfield provides an important feminist document and a genuine means of unravelling Romanticism in Romantic Women Poets, an anthology of some 180 poems from the period 1770 to 1838.

From ancient Egypt to today, enjoy a sweeping survey of world history through its most memorable words in this completely revised and updated nineteenth edition. More than 150 years after its initial publication, Bartlett’s Familiar Quotations now enters its nineteenth edi­tion. First compiled by John Bartlett, a bookseller in Cambridge, Massachusetts, as a commonplace book of only 258 pages, the original 1855 edition mainly featured selections from the Bible, Shakespeare, and the great English poets. Today, Bartlett’s includes more than 20,000 quotes from roughly 4,000 con­tributors. Spanning centuries of thought and culture, it remains the finest and most popular compendium of quotations ever assembled. While continuing to draw on timeless classi­cal references, this edition also incorporates more than 3,000 new quotes from more than 700 new sources, including Alison Bechdel, Ta-Nehisi Coates, Pope Francis, Atul Gawande, Ruth Bader Ginsburg, Hilary Mantel, Lin-Manuel Miranda, Claudia Rankine, Fred Rogers, Bernie Sanders, Patti Smith, and Malala Yousafzai. Bartlett’s showcases the thoughts not only of renowned figures from the arts, literature, politics, science, sports, and business, but also of otherwise unknown individuals whose thought-provoking ideas have moved, unsettled, or inspired readers and listeners throughout the ages. Bartlett’s makes searching for the perfect quote easy in three ways: alphabetically by author, chrono­logically by the author’s birth date, or thematically by subject. Whether one is searching for appropriate remarks for a celebration, comforting thoughts for a serious occasion, or simply to answer the question “Who said that?” Bartlett’s offers readers and schol­ars alike a stunning treasury of words that have influ­enced

Lucy Broadwood (1858-1929) is now best known as a pioneer of the folk song revival of the late nineteenth and early twentieth centuries. Dorothy de Val provides an indispensable account of Lucy's interactions with key figures in musical circles and her influence upon a younger generation of composers and performers. The book reveals Lucy's part in the rapidly changing musical landscape at the turn of the century, and her development as a performer, arranger and composer.