Published in 1950, this vintage handbook instructs the reader in 150 variations of the classic game of Solitaire. It is illustrated with diagrams throughout and features simple instructions, making it a wonderful addition to the avid Solitaire player’s library, and for anybody with a love for solo card games. Contents include: Card Games; Technical Terms; One-Pack Solitaires; Juvenile Solitaires; Two-Pack Solitaires; Four-Pack Solitaires; and Multiple Solitaire. Many early books are becoming extremely scarce and increasingly expensive. We are republishing this classic work, which has been carefully selected for its interest and relevance to a modern audience, in a high quality and affordable edition. It comes complete with a newly written introduction and features reproductions of the original illustrations.

This antique text contains a complete catalogue of Solitaire and Patience games, including tips, instructions, tactics, rules, and more. Written in plain language and compete with a plethora of helpful diagrams, this text is ideal for the novice card player and will be of interest to anyone looking to expand their card gaming repertoire. The chapters of this book include: 'About Solitaire Games', 'How to Choose a Solitaire Game', 'General Procedure of Solitaire', 'One-Deck Games', 'Two-Deck Games', 'Stripped-Deck and Four-Deck Games', and 'Russian Bank'. We are proud to republish this book complete with a new introduction on card games.

SCC Library has 1974-89; (plus scattered issues).

A step-and-ex chronicle about growing up in Los Angeles, California, during the tumultuous transition from the placid fifties to the raucous sixties, with the omnipresence of Disneyland and Hollywood making personal memories feel like remembering a ride or a movie. Popular songs from the radio, show tunes and ballads create an inadvertent soundtrack to a sometimes troubling and often quirky coming-of-age story.

Upon publication, the first edition of the CRC Concise Encyclopedia of Mathematics received overwhelming accolades for its unparalleled scope, readability, and utility. It soon took its place among the top selling books in the history of Chapman & Hall/CRC, and its popularity continues unabated. Yet also unabated has been the d

So you want to disappear? Whether you got the fuzz on your back or a price on your head, Saul Goodman can help! Big Brother’s got eyes everywhere—don’t pretend they’re not all watching you. Nowadays you’d better assume anything you do is already on the 24/7 news feed, but there are measures you can take. Darken your windows. Bash your smartphone. Cut up your credit cards. But first, buy this book. From the cunning counsel (me) who kept you out of the slammer with his handy manual Don’t Go to Jail!, here’s your escape plan for busting out of the prison of modern surveillance. You might be up to no good or you might be up to nothing at all—hey, it’s not my business, and let me tell you, it’s nobody else’s business, either. My business is making sure it stays your business. An unlisted phone number is no longer enough. I want to help you find your inner alias. I want to show you your dream safe house. I don’t want to hear about you on the Internet. Get Off the Grid! can do all of this and more. It’s your one down-to-earth guide on going to ground, and not just that: it’s the best vanishing act you’ll never see!

This digital edition of DEAD LINES includes a new foreword by David Niall Wilson, as well as an Author's Foreword by Criag Spector, and an Afterword by John Skipp. DEAD LINES is about a young writer/artist type, Jack Rowan, in NYC, whose career never took off. Hs life is in the toilet. He's broken up with his girlfriend and crashing on the couch of his more successful photographer friend, Glen's, loft while Glen is off in LA on a shoot. In the first chapter, Jack finishes his manuscript — a collection of short stories titled NIghtmare NYC — swigs off a bottle of vodka, then boxes the manuscript up, writes DO NOT OPEN UNTIL DOOMSDAY on it, and hides it in a crawlspace in his friend's apartment. Then he walks up a ladder he set up in the living room, puts the rope he knotted to a steam pipe around his neck/ He takes one last swig off the bottle, looks at a photo in his hand of himself and a woman, says, look what you made me do. Then he tosses the bottle and pitches off the ladder. The rope goes taut. Jack's neck snaps as he pinwheels around in mid-air, knocking over the ladder, swinging wildly as he hangs himself. Finally he goes still. His body hangs there for weeks, visible thru the fourth floor windows of the loft… if anyone was looking, which no one is. He remains there until Glen gets back. Glenn freaks out and promptly moves out. The loft is renovated for new tenants — a couple of girls who don't know each other move in. One, Meryl, is from a wealthy family in Boston and trying to escape her overbearing father by going to college at NYU; the other, Katie, is a waitress who used to know Glenn… and Jack. Meryl convinces Katie to pretend to be her roommate to get Meryl's father off her back. At first Katie says no thanks, but then she goes back to her Svengali-esque boyfriend Colin's apartment (where she lives) and finds him in bed with two girls — customers, as Colin is a low level drug dealer and all around scumbag. They fight. Katie shows back up on Meryl's doorstep that night and takes her up on the offer. Meryl is surprised…. she wasn't expecting a roommate for real — but Katie has no place to go, she Meryl lets her crash there. They start to become friends. One night while Meryl is fixing up her room, she finds the box containing Jack's lost manuscript. She starts to read the stories and becomes intrigued with this 'mystery' writer and his dark, brooding, moody vision of the city. What neither Meryl nor Katie realize, is that Jack's soul, upon the moment of his death, literally imploded into the atomic substructure of the apartment — frozen, in a kind of tormented limbo, forever. Until Meryl starts reading his stories… and the sheer energy of her reading his words in bed each night, and fantasizing about him, starts to bring him back. His soul coalesces; bit by bit, awareness and consiousness returns. Suddenly, he's back, and he's Jack — but he's dead, a presence haunting the loft, which is his prison now. But Meryl keeps reading, drawn deeper into his world each night. By day she searches for him in bookstores — but his work has never been published. She see echoes of his images on the streets of the city. She can feel his presence thru his stories. Her nightly fantasies become dreams… and the power of her dreams allows Jack to visit her, succubus-like, a night lover in spirit.

A great how-to-play and strategy guide to 100 of the most classic, interesting, challenging and fun solitaire games. These are the 100 best and most enjoyable variations of America's most popular card game—solitaire! Loads of examples, diagrams, illustrations and strategies keep the writing lively, while showing you all sorts of fun ways to enjoy your favorite game. From straight-ahead solitaire to two-player games, readers will find all kinds of fantastic solitaire games—the classic ones, the new ones, those that require a lot of strategy, and the just plain fun ones. And because solitaire is perfect for playing when you’re on the road, the chapter on travel solitaire is essential. As a bonus, the authors have included solitaire games for two players.

Edmund Wilson helped shape American letters from the early 1920's through the mid-'60s. He remains a presence in our literary culture, and his accounts of art and society have influenced a younger generation of readers and thinkers. This vibrant collection emerges from symposiums held at the Mercantile Library and at Princeton University in 1995, Wilson's centennial year. At these occasions, prominent critics, literary journalists, and historians aired a variety of points of view about his work and personality. Assembled and edited by Lewis Dabney, this book shows new intellectual voices interacting with veterans who knew Wilson and his times. In the first part, Morris Dickstein, Jason Epstein, Barbara Epstein, David Bromwich, Jed Perl, and Mark Krupnick comment on Wilson's development as a critic, his faith in reason and his personal romanticism, his version of modernism and eclectic interest in the arts, as well as the sources of his later writing about Judaism. In the second section, a reading of the journals from The Twenties to The Sixties by Neale Reinitz and a chapter from Dabney's biography-in-progress lead to the reminiscences of Elizabeth Hardwick, Jason Epstein, Mary Meigs, Roger Straus, and Alfred Kazin, as well as Michael C. D. Macdonald, the son of family friends, and the Dead Sea Scrolls scholar James Sanders giving an authentic sense of Wilson's place in the literary life. Two of his important works, the study of the Marxist intellectual tradition in To the Finland Station and of Civil War literature in Patriotic Gore, anchor the discussion in the third part. Here David Remnick and Daniel Aaron debate his radical commitment, joined by Arthur Schlesinger and others in a vigorous exchange, and Randall Kennedy's attack on Wilson's neglect of nineteenth-century black writers provokes a response from Toni Morrison. Instructive essays by Andrew Delbanco and Louis Menand, and discerning comments by Paul Berman and Sean Wilentz round out the volume. Originally published in 1997. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.